感谢信大全

春的感谢祭

时间:2021-11-26 17:03:09 感谢信大全 我要投稿

春的感谢祭

曲目列表:

01. 悲しき蒼穹を翔ける

02. TO MAKE THE END OF BATTLE

03. 翼を持った少年

04. MIGHTY OBSTACLE ~The Wind of Zemeth

05. INNOCENT PRIMEVAL BREAKER GAME VERSION

06. LEGEND OF THE FIVE GREAT DRAGONS

07. 幻の大地セルペンティナ

08. Ending2

09. そして新たなる道へ

10. 銀の意志 金の翼

11. 星の在り処

12. Cry for me, Cry for you

13. D.A.Y.BREAK Opening ver.

14. Inevitable Struggle

15. way of life

16. #0059

17. #0082

18. #0019

19. #0277

the rite of spring This thesis aims at studing the non-tradition rhythm of The Rite of spring which is one of the most important works composed by Stravinsky who is a famous russia contemporary music composer in his forepart.

本文着眼于对俄罗斯现代音乐大师斯特拉文斯基早期代表作之一《春之祭》中“非传统节奏手法”的研究。

短句来源

“《春之祭》”译为未确定词的双语例句

Analysis of and Comments on the Creative Technique and Artistic Characteristics of “Sacrifice to Spring”

斯特拉文斯基《春之祭》的创新手法与艺术特色

短句来源

On Appraciation of the Modernistic Music

从《春之祭》的创作谈高师音乐欣赏课教学

短句来源

While demonstrating the character of rhythm, the tractate arguments the effect on both the Chinese contemporary music and the west by contrasting. ,which purpose is to advise the craft brother to attach importance to the rhythm in the contemporary music,and to provide theory for the perform and justice about contemporary music.

文章在详尽地论证其节奏本体特征的同时,还采用比较研究的方法专述了《春之祭》的节奏手法对中西现代音乐创作所产生的深远影响,其目的在于引起业内人士对现代音乐中“节奏要素”的重视,进而为现代音乐的表演与欣赏提供必要的理论准备。 全文主体部分为四章:

短句来源

On the microcosmic side, the way we discucontain things such as the non-tradition normal beat, the varing beat and the imperiod beat, thepusle rate being in stead of the beat, the rhythm cell,the add notes and so on.

本章对《春之祭》的“节奏本体特征”在微观与宏观两个层面进行了论述。 在微观上,论及的非传统节奏手法有:非传统概念的常规节拍、变拍子与非周期棍合拍子、以脉动率代替节拍、运用节奏单元、附加音符等;

短句来源

There are four reasons about the origin which are the influence of the russia folk song, the influence of the Eourp music in early time especially in middle ages, the influence of the Isorthythmic motet, andthe influence of the grand old man.

本章从“比较”的角度出发,旨在理清《春之祭》中非传统节奏手法的.“来龙去脉”:首先对《春之祭》的非传统节奏手法进行了一番溯源,内容有“俄罗斯民间音乐结构的影响、欧洲早期节奏体系的影响、等节奏经-文歌的影响、前辈作曲家的影响”。

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