观后感

机器人的观后感

时间:2021-11-23 18:32:17 观后感 我要投稿
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关于机器人的观后感

这里太阳照常升起

关于机器人的观后感

此时的地球如果能够用一个词来形容的话,那便是满目疮痍了。在经历了人类无限制的开发之后,这里已经没有了绿色,海洋不再是生命的源头,更像是生命的禁区。整个世界一片废墟,垃圾满盈,人类也早已脱离了此地——曾经的生命摇篮。地球上每日似乎只有一个活跃的身影,他就是瓦力。一个清理垃圾的机器人。他所做的便是日复一日的,用自己的身体把垃圾规矩成矩形,然后再一排一排的堆叠起来。这样的工作纵使是日复一日,年复一年,看起来仍是没有尽头,当然只要有电,瓦力就会不断的干下去,看上去故事就会沿着这样的.顺序发展下去,但一切的一切似乎都拥有转机。就像在这个毫无生命力可言的星球上一样,即使没有绿色,即使不复海洋,但是,这里太阳照常升起。《机器人人总动员》讲述的便是这样一个故事。

瓦力就是这样生存着他卑微的生活。他在垃圾堆里工作,他在垃圾堆里生活,仿佛一切都没有结果,仿佛一切都不该拥有结果。有一天,他发现了一个铁箱子,更令人称奇的是,铁箱子的里头竟有一抹鲜艳的绿色,他小心翼翼的把那一抹仅有的绿色保存了起来。绿色似乎预示着希望,绿色似乎意味着生机,总之这是一个好兆头。

的确如此,在此之后没过多久伊娃出现了——这个瓦力生命中最重要的指令。毫无疑问,伊娃也是一个机器人,与瓦力不同的是,伊娃来到地球是为了寻找生命的迹象。人类就像云有海外的游子,在外头时间长了,总会想家的,一旦伊娃发现生命的迹象,游子便会义无反顾的出现在曾经的故乡。

伊娃像是一个敏感的女孩,对待一切陌生事务都会不觉得产生怀疑。直到遇见了瓦力。起初,瓦力只是小心翼翼的躲在远方静静地望着着伊娃,就像诗经中诉说的那样,蒹葭苍苍,白露为霜,所谓伊人,在水一方。后来瓦力像是所有青春期的男孩一般,忍不住对伊娃表达了浅浅的爱意。只是这种表达比较特殊,他教伊娃跳舞,他让伊娃玩魔方,他拿包装袋的小泡泡让伊娃戳透,他还为伊娃放了一段爱的录像……似乎这些都激不起伊娃的兴趣,最后,瓦力拿出了放在保险柜中的那一抹绿色——一根插在破落靴子中的小草。伊娃看到绿色很好奇,但来不急好奇,她潜在的指令就立刻将绿色收藏在自己体内,她也瞬间失去了意识,然后便是等待将她下放至此的飞船把她回收。

等待总是漫长的,伊娃等待着飞船,瓦力等待着伊娃。等待又是美好的,诚如那句老话,路遥知马力,日久见人心。在等待的日子中,瓦力天天陪伴在伊娃身旁,当然他也会悄悄地牵起她的手,他也曾为她而难过,纵使伊娃对这些都全然不知。影片中最动人的部分也出现在此,瓦力陪伊娃度过了一个又一个的日夜,期间无论刮风下雨都不曾使瓦力离开,在下雨的时候他为伊娃称伞,机器人都是铁的,加上凸出的伞头,瓦力没少挨雷击,在刮风的时候瓦力紧紧拉住伊娃的手,同进同退。机器人虽然是铁的,但心却是肉的;机器人似乎没有思维,但却拥有常人无法比拟的感情。这或许也是制片人对于理想爱情的一种美好向往吧。我想,只要是一个有血有肉的人,都会拥有一份这样的希望。我们可能希望与自己心爱的姑娘(或是心爱的男子),天长地久的相守在一起,可能我们没有多少钱,我们更没有宝马,我们更没有豪宅,但我们的感情是无可比拟的,我们不为世俗所惑,我们不为岁月动容,但我们都拥有一份坚守,都拥有一颗不老的心,岁月变迁,韶华流逝都不曾改变曾经的初衷,每一天,彼此的感情都如第一天般新鲜,充满活力,直至生命的尽头。当然,希望无所谓有无,这样的希望,在现实中虽不可存在,但仍可作为人们百无聊赖时的一抹鲜绿,穷困潦倒时的一个梦想,存在于人们的最心底。我想即使再现实的人也都会拥有某种形式的理想主义。瓦力就有,我相信,你也会有。

2

One of the greatest achievements in cinematic history

WALL-E, Pixar's latest film, is about a robot named WALL-E (or 'Waste Allocation Load Lifter, Earth-Class'), who is the only thing left on earth with some sort of emotion. He meets another robot named EVE, and the trip begins.

It's hard to describe in words how incredible I personally find this film.

The animation is flawless. Absolutely flawless. Especially on earth and the robots. It looks real. Much of the time it's impossible to tell whether or not it is real. The few slightly-shaky styled shots that appear a few times in the film only makes the animation that much more amazing and realistic. The humans are really good, too, while not realistic in the sense of you seeing it right now in real life, but they do have a realistic feel to them. The thing with the humans, I believe, is that they were purposefully meant to have this slightly rounded, slightly unrealistic feeling.

I believe the reason is to take a satirical look at humans, and what our goals for a future, perfect utopia, is. It questions what we want, and shows you what is a very, very likely outcome of our desires for a 'better' world, showing both positive and negative effects. The animation for the humans, I believe, was made rounded and slightly more cartoonish to emphasize that that is how we will become. Fat, lazy, yet so perfect. At times, especially with that perspective on the humans, they actually do look very real.

The story is brilliant. There are many little things in the film that have so much meaning to them. There are things that will be nostalgic to older viewers, and things that younger viewers will love to look at. However, it does steer for the cheesy, cliché aspects of a child's film, yet still remaining a completely G-rated film.

I don't call this a child's film at all. Not because it has adult material, because it doesn't. I say this because the film is perfect for everyone. Literally, everyone. There are things in it every person can enjoy, no matter who they are. It has obvious homages to Stanley Kubrick's "2001: A Space Odyssey", and any adult who remembers seeing that film will notice this.

WALL-E is such a lovable character. I've never felt so much emotion for one character. He will definitely go down in history as iconic as Darth Vader, or Indiana Jones. I was so close to crying at pivotal parts in the film, and although I didn't fully break out and cry, I have never felt so much emotion in my heart with any other film as I did with this one。

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